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Introduction to the film festival

Our mission is to launch the careers of cinema’s next generation of screenwriters by creating the most prestigious competition in North America and the world. Our goal is to connect emerging talent with the film industry’s movers and shakers so that they can get their scripts into production. We believe that we have created a vehicle that will infuse new energy into filmmaking while also creating opportunities for incredible new talent. We are a team of artists and professionals who are passionate about filmmaking and about nurturing, developing, and supporting the next generation of filmmakers and screenwriters from Toronto and around the world. The Toronto Metropolitan Intl Screenwriting Competition is an independent contest and our goal is to bridge the gap between emerging artists and the talent agents and managers who will ultimately introduce them to the producers and studio executives in the US and Canada who will eventually get their movies made. We are also eager to introduce these artists to producers and production teams that call Toronto their home. We love all kinds of scripts and stories – from studio blockbusters to art house fare! No two paths are the same and no two stories are alike. We accept scripts from all over the world, not just the US and Canada and from artists of all shapes and sizes, colors and ethnicities, sexes and sexual orientations. Our city has a long history of nurturing and showcasing the most talented filmmakers in the entertainment industry. We now want to give screenwriters the same level of exposure. We encourage writers to work on studio films as well as high-end independents. We hope to inspire, support, and develop writers at all levels to make great films that leave others touched, moved and inspired. The bottom line is that we support the arts, not only locally, but around the world. Our aim is to create a screenwriting festival that will inspire generations of aspiring writers and filmmakers in all genres to tell great stories in the US, Canada, and abroad. We reward winning screenwriters with various prizes including distribution of your script to top industry executives at several production companies and distributors in New York, LA, and Toronto as well as to our database of A list agents, managers, and festival winners on both coasts in both the US and Canada who are looking for clients and material to produce. Last year, one of our finalists signed with one of Beverly Hills most prestigious talent management companies. 2019s grand prize winner was personally introduced to six talent managers and producers and was given a one hour consultation with the top manager at Fictional Entity. Please note that we do not advertise who we will be introducing our grand prize winner to as we prefer to tailor the introduction to the individual writers style so as to get them the most benefit. For example, if our winner wrote a drama, we wouldnt be connecting them with people who specialize in comedy. Also, only our Grand Prize Winner and top two Finalists will receive industry distribution and prizes. Semi-Finalists will only be rewarded by recognition like in most screenwriting competitions.(Sfilmmaker is our exclusive platform for cooperation in China, and we look forward to your good works.)

Awards

Grand Prize、Two Finalists、We reward winning screenwriters with various prizes including distribution of your script to top industry executives at several production companies and distributors in New York, LA, and Toronto as well as to our database of A list agents, managers, and festival winners on both coasts in both the US and Canada who are looking for clients and material to produce. Last year, one of our finalists signed with one of Beverly Hills most prestigious talent management companies. 2019's grand prize winner was personally introduced to six talent managers and producers and was given a one hour consultation with the top manager at Fictional Entity. Please note that we do not advertise who we will be introducing our grand prize winner to as we prefer to tailor the introduction to the individual writer's style so as to get them the most benefit. For example, if our winner wrote a drama, we wouldn't be connecting them with people who specialize in comedy. Also, only our Grand Prize Winner and top two Finalists will receive industry distribution and prizes. Semi-Finalists will only be rewarded by recognition like in most screenwriting competitions.

Rules

Genre :
Subject :Unlimited
Video Format :HDV MPEG4 MOV MPEG
Jury Profile
Jury Name Judge photos Jury Profile

Authorization type

    Exclusive Contract

Duration (several sessions)

    5

Film Festival Features

  • Red Carpet
  • Celebrity Guest
  • Filmscreen
  • Trophy
  • Copyright transactions
  • Certificate

Dates & Deadlines

  • 2019-05-11
    Submission start time

  • 2020-02-20
    Submission end time

  • 2020-03-31
    Finalist notification start time

  • 2020-03-31
    Finalist notification end time

  • 2020-03-31
    Award ceremony start time

  • 2020-03-31
    Award ceremony end time

Categories and fees

  • Scripts / Screenwriting
    Video length :10 - 59
    Writers retain all rights to their work. Submissions are accepted via electronic submission only. There is no limit to the length of the projects you submit. Projects can be in script or treatment form. There is no limit to the number of projects you may submit. Scripts must be written in English, but can be in any film or television genre. Entrants are prohibited from contacting the judges during the competition. Any entrant who attempts to contact a judge will be disqualified and their entry fee forfeited. The decision of the judges is final. Entry fees for screenplay entries are posted on our partner websites and are non refundable. Employees and family members of the film festival are not eligible. Entries must be received on or before the deadlines and submission fee payment must be made in full at time of the submission. All entry fees are non-refundable All submitted material must be original, and all rights must be wholly owned by the writer(s). All entries must be the original, and unpublished, un-produced, un-optioned work of the entrant. The entrant ensures that he or she is the sole author of the work and that it does not infringe on any existing copyright. All winners are responsible for their own U.S. income tax withholding. The competition, its judges, and its officers accept no liability whatsoever for any claims of damages, real or perceived, by any entrant(s) as a result of their participation in this contest. Industry distribution should in no way be in interpreted as a guarantee of future representation or success. Whether or not industry partners choose to work with finalists, is done so at the sole discretion of each and every individual company. We can not force our industry partners to option your property and or sign you as a client. Past prizes listed in winner reviews should not be construed as current prizes. All current prizes are spelled out on our website. We also do not reveal the names of recipients on our industry distribution list. Entrants must be 18 years or older to enter the contest. Misrepresentation of age, upon discovery, will forfeit entry and fees to the contest. Contest is void where prohibited by law. All persons from anywhere in the world are eligible; however the material submitted must be in English or French. All material submitted to other competitions or contests are eligible. Professional writers, journalists, poets, and previous contest winners are eligible. There are no requirements as to when the material was written. Material must be your original work. The material submitted must not be encumbered by any obligation to, or option held by, a third party prior to entering the competition. It can be based on existing IP, if that IP is in the public domain and or you also own the rights to that stage play, short film, etc. We do not provide feedback, notes, grades, or rankings of any kind unless paid for with your entry at the time of entry. We assume you already know how to write at a professional level and that is why you are entering this contest. By submitting your material you agree to be added to our email list, but can remove yourself by unsubscribing at anytime. Please note that the Toronto Metropolitan International Screenwriting Competition is in no way affiliated with any other film festival, screenwriting competition, film school, or film related enterprise or organization including, but not limited to TSC, TCA, TWA, Tisch, and or TIFF. TISC reserves the right to revoke recognitions status at any time with or without cause. All judging is done at our sole discretion. We may have outside input, but all judging and all decisions are made at our sole discretion. To prevent tampering we do not reveal the identities of our judges. We do not offer script notes and or script advice. We are looking to reward professional level writers that we can help get to the next level by recognizing their work. If these are services you desire, we recommend hiring a script consultant. These services can be found via a simple google search. By entering the competition you hereby accept these competition rules.

    2020/02/20

    Standard: 57.5 Dollar

    Student: 57.5 Dollar

  • Scripts / Screenwriting
    Video length :60 - 150
    Writers retain all rights to their work. Submissions are accepted via electronic submission only. There is no limit to the length of the projects you submit. Projects can be in script or treatment form. There is no limit to the number of projects you may submit. Scripts must be written in English, but can be in any film or television genre. Entrants are prohibited from contacting the judges during the competition. Any entrant who attempts to contact a judge will be disqualified and their entry fee forfeited. The decision of the judges is final. Entry fees for screenplay entries are posted on our partner websites and are non refundable. Employees and family members of the film festival are not eligible. Entries must be received on or before the deadlines and submission fee payment must be made in full at time of the submission. All entry fees are non-refundable All submitted material must be original, and all rights must be wholly owned by the writer(s). All entries must be the original, and unpublished, un-produced, un-optioned work of the entrant. The entrant ensures that he or she is the sole author of the work and that it does not infringe on any existing copyright. All winners are responsible for their own U.S. income tax withholding. The competition, its judges, and its officers accept no liability whatsoever for any claims of damages, real or perceived, by any entrant(s) as a result of their participation in this contest. Industry distribution should in no way be in interpreted as a guarantee of future representation or success. Whether or not industry partners choose to work with finalists, is done so at the sole discretion of each and every individual company. We can not force our industry partners to option your property and or sign you as a client. Past prizes listed in winner reviews should not be construed as current prizes. All current prizes are spelled out on our website. We also do not reveal the names of recipients on our industry distribution list. Entrants must be 18 years or older to enter the contest. Misrepresentation of age, upon discovery, will forfeit entry and fees to the contest. Contest is void where prohibited by law. All persons from anywhere in the world are eligible; however the material submitted must be in English or French. All material submitted to other competitions or contests are eligible. Professional writers, journalists, poets, and previous contest winners are eligible. There are no requirements as to when the material was written. Material must be your original work. The material submitted must not be encumbered by any obligation to, or option held by, a third party prior to entering the competition. It can be based on existing IP, if that IP is in the public domain and or you also own the rights to that stage play, short film, etc. We do not provide feedback, notes, grades, or rankings of any kind unless paid for with your entry at the time of entry. We assume you already know how to write at a professional level and that is why you are entering this contest. By submitting your material you agree to be added to our email list, but can remove yourself by unsubscribing at anytime. Please note that the Toronto Metropolitan International Screenwriting Competition is in no way affiliated with any other film festival, screenwriting competition, film school, or film related enterprise or organization including, but not limited to TSC, TCA, TWA, Tisch, and or TIFF. TISC reserves the right to revoke recognitions status at any time with or without cause. All judging is done at our sole discretion. We may have outside input, but all judging and all decisions are made at our sole discretion. To prevent tampering we do not reveal the identities of our judges. We do not offer script notes and or script advice. We are looking to reward professional level writers that we can help get to the next level by recognizing their work. If these are services you desire, we recommend hiring a script consultant. These services can be found via a simple google search. By entering the competition you hereby accept these competition rules.

    2020/02/20

    Standard: 57.5 Dollar

    Student: 57.5 Dollar

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