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Introduction to the film festival

Film Festival Highlights

ABOUT TIFF

TIFF is a charitable cultural organization whose mission is to transform the way people see the world through film. An international leader in film culture, TIFF projects include the annual Toronto International Film Festival® in September; TIFF Bell Lightbox, which features five cinemas, major exhibitions, and learning and entertainment facilities; and the innovative national screening programme Film Circuit. The organization generates an estimated economic impact of $200 million CAD. TIFF Bell Lightbox is generously supported by contributors including Founding Sponsor Bell and Major Supporters the Government of Canada, the Government of Ontario, the City of Toronto, the Reitman family (Ivan Reitman, Agi Mandel, and Susan Michaels), The Daniels Corporation, and RBC. The Toronto International Film Festival is generously supported by Lead Sponsor Bell, Major Sponsors RBC and Visa, and Major Supporters the Government of Ontario, Telefilm Canada, and the City of Toronto.

The Toronto International Film Festival ranks among the most prestigious international film festivals in the world. For 11 days, film lovers, filmmakers, industry professionals, and media watch the best in new cinema, from established auteurs to new talent. As one of the world’s most important cultural events, the Festival consistently strives to set the standard for excellence in film programming. Films are selected on the basis of quality and originality. Preference is given to premieres.

The Festival also promotes contacts between industry professionals to assist in the development of the Canadian motion-picture industry. The level of engagement the Festival sustains from year to year is unique. Enthusiastic audiences and filmmakers have unprecedented levels of access to one another as they exchange ideas about the art and business of filmmaking. Film buyers and other industry professionals can choose from screenings and specialized Industry programming that empowers them to make informed business decisions. The Festival also provides excellent resources and networking opportunities for film industry professionals.


Audacious in its selection and supported by the intelligence and breadth of its national and international audience, the Festival has become the landmark destination for the moving image and is always seeking new ways to engineer creative and cultural discovery through film.


From the expertise and dedication of the Festival’s staff and Volunteers to its vast contribution to the culture and economy of the City of Toronto, the Toronto International Film Festival has earned its long-standing reputation as a leader in the international film community.

Awards

The following prizes will be awarded at the Festival. This list includes awards granted or determined by independent organizations and/or juries. Awards and prizes are subject to change: People’s Choice Award People’s Choice Midnight Madness Award — All films selected for the Midnight Madness programme are eligible to win this award People’s Choice Documentary Award — All feature length documentary films are eligible to win this award The Prize of the International Federation of Film Critics (FIPRESCI Prize) for Discovery — Awarded to a film within the Discovery programme The Prize of the International Federation of Film Critics (FIPRESCI Prize) for Special Presentations — Awarded to a film within the Special Presentations programme NETPAC Award IMDbPro Short Cuts Award for Best Canadian Film IMDbPro Short Cuts Award for Best Film IMDbPro Short Cuts Share Her Journey Award City of Toronto Award for Best Canadian First Feature Film Amplify Voices Award for Best Canadian Feature Film presented by Canada Goose Amplify Voices Award presented by Canada Goose Shawn Mendes Foundation Changemaker Award

Rules

Genre :Action Comedy War Science fiction Ethics Terror Thriller Violence Adventure Crime Family Music Love Magic Fantasy Shootout Suspense Youth Inspirational Literary Biography Western Drama others Documentary
Subject :Unlimited
Video Format :MPEG4 DCP

1. Films submitted to TIFF for Festival consideration under these Terms must be submitted in one of the categories set out below.
2. Films that do not meet the eligibility requirements for any of the below categories should not be submitted and will not be considered by TIFF.
3. For the purpose of the below categories, “Canadian” films are Films that were directed by a Canadian citizen or permanent resident of Canada and list Canada as one of the countries of production. All other Films are considered “international” films.
4. Submission categories:

Category/Description/Preliminary Eligibility Requirements:

Canadian Features - Narrative films with run times of 60 minutes or longer (including credits). Films in this category are directed by a Canadian citizen or permanent resident of Canada and list Canada as one of the countries of production. Upon submission, Films must have a World, International or North American premiere status. Films must be completed on or after September 8, 2024.

Canadian Documentary Features - Documentary films with run times of 60 minutes or longer (including credits). Films in this category are directed by a Canadian citizen or permanent resident of Canada and list Canada as one of the countries of production. Upon submission, Films must have a World, International or North American premiere status. Films must be completed on or after September 8, 2024.

Canadian Shorts - Short films of all genres — including documentary — with run times of 40 minutes or less (including credits). Films in this category are directed by a Canadian citizen or permanent resident of Canada and list Canada as one of the countries of production. Upon submission, Films must have a World, International or North American premiere status. Films must be completed on or after September 8, 2024.

International Features - International narrative films with run times of 60 minutes or longer (including credits). Upon submission, Films must have a World, International or North American premiere status. Films must be completed on or after September 8, 2024.

International Documentary Features - International documentary films with run times of 60 minutes or longer (including credits). Upon submission, Films must have a World, International or North American premiere status. Films must be completed on or after September 8, 2024.

International Shorts - International films of all genres — including documentary — with run times of 40 minutes or less (including credits). Upon submission, Films must have a World, International or North American premiere status. Films must be completed on or after September 8, 2024.

Primetime - Serial content with a minimum of two chronological episodes, including the series or season premiere episode. In the case of anthologies, chronological episodes are not required. Series presented at the Festival will feature a combined run time of 60 minutes or longer. Upon submission, Series must have a World, International or North American premiere status. Series must be completed on or after September 8, 2024.

Wavelengths - Wavelengths is a tightly curated international showcase that comprises a vast array of artist film and video, including feature-length experimental narratives, innovative and essayist documentaries, lyrical shorts, and films from the contemporary art world. Submissions to this category are by invitation only. If you were not invited to submit to Wavelengths, please submit to another category for which your film is eligible.

5. The Festival is organized into a series of programmes, which are subject to change from year to year but might include, for example: Contemporary World Cinema, Gala Presentations, Midnight Madness. TIFF may slot selected films into programmes at its sole and absolute discretion.
6. Upon submission, Films must have a World, International or North American premiere status. At our discretion, TIFF reserves the right to accept submissions with only a Canadian premiere status, but the Film’s premiere status will be taken into consideration when final programming decisions are made.
7. A Film will not be eligible for consideration and should not be submitted if:

a. the Feature, Primetime or Wavelengths Film was completed prior to September 8, 2024, or the Short Film was completed prior to September 8, 2024

b. the Film was previously submitted to TIFF for Festival consideration (please note: we will accept a “new cut” of a film that was previously submitted to TIFF, provided that the Film still meets our eligibility requirements. We define a “new cut” as a Film that has undergone substantial changes including, but not limited to: editing, reshoots, or a new run time. 
c. the Film has been for sale on DVD/Blu-ray/VOD; or
d. the Film:
(i) had theatrical releases in North America, or
(ii) has aired on television in North America, or
(iii) has been available on a public streaming platform in North America; or
e. the Film has been publicly posted or exhibited online in North America (films that are publicly posted or exhibited online but geoblocked to a region outside of North America are still eligible for our Festival); or
f. the Film does not have, at minimum, a North American premiere status at the time of submission; or
g. the Film has had, or will have, a public presentation in Toronto and therefore will not have a premiere status prior to September 8, 2024.
TIFF reserves the right to rule, in its sole discretion, on cases and situations not foreseen by these Terms.
8. All Films must be submitted as online screeners.
9. All selected films must supply TIFF with an exhibition copy (“Exhibition Copy” or “Exhibition Copies”) of the Film by August 12, 2024, in a Theatrical Screening Format and/or Online Screening Format , as specified by TIFF upon invitation. Note that delivery requirements are different based on format.
a. Theatrical Screening Format: applicable to Theatrical Screening Copies of feature films and Primetime serial content that are scheduled for presentation in cinema.
b. Online Screening Format: applicable to Online Screening Copies of all feature films, short films in shorts programmes, and Primetime serial content presented on our online screening platform.
c. All non-English-language films will be required to provide content with English subtitles.
d. All English-language films will be required to have closed captions in English, providing a transcription of spoken dialogue and a description of audio cues.
e. Experimental and short films that contain no Dialogue are required to have closed captions provided. Silent films require a closed caption stating that there is no audio.

Jury Profile
Jury Name Judge photos Jury Profile

Authorization type

    Proxy Submission

Duration (several sessions)

    50

Film Festival Features

  • Red Carpet
  • Celebrity Guest
  • Filmscreen
  • Cash prize
  • Trophy
  • Copyright transactions
  • Certificate

Dates & Deadlines

  • 2025-02-28
    Submission start time

  • 2025-03-26
    Earlybird Deadline

  • 2025-04-30
    Deadline

  • 2025-05-07
    Last deadline

  • 2025-05-07
    Submission end time

  • 2025-08-15
    Finalist notification start time

  • 2025-08-15
    Finalist notification end time

  • 2025-09-04
    Award ceremony start time

  • 2025-09-14
    Award ceremony end time

Categories and fees

  • International Features
    Video length :60 - 180
    International narrative films with run times of 60 minutes or longer (including credits).

    2025/03/26
    Earlybird Deadline

    Standard: 86 Dollar

    Student: 86 Dollar

    2025/05/07
    Last deadline

    Standard: 110 Dollar

    Student: 110 Dollar

  • International Documentary Features
    Video length :60 - 180
    International documentary films with run times of 60 minutes or longer (including credits).

    2025/03/26
    Earlybird Deadline

    Standard: 86 Dollar

    Student: 86 Dollar

    2025/05/07
    Last deadline

    Standard: 110 Dollar

    Student: 110 Dollar

  • International Shorts
    Video length :01 - 40
    International films of all genres — including documentary — with run times of 40 minutes or less (including credits).

    2025/03/26
    Earlybird Deadline

    Standard: 53.5 Dollar

    Student: 53.5 Dollar

    2025/05/07
    Last deadline

    Standard: 67.5 Dollar

    Student: 67.5 Dollar

  • Primetime
    Video length :1 - 60
    Serial content with a minimum of two chronological episodes, including the series or season premiere episode. In the case of anthologies, chronological episodes are not required. Series presented at the Festival will feature a combined run time of 60 minutes or longer.Upon submission, series must have a World, International, or North American Premiere status.

    2025/03/26
    Earlybird Deadline

    Standard: 53.5 Dollar

    Student: 53.5 Dollar

    2025/05/07
    Last deadline

    Standard: 71 Dollar

    Student: 71 Dollar

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