Authorization type

    Proxy Submission

Duration (several sessions)

    65

Film Festival Features

  • Red Carpet
  • Celebrity Guest
  • Filmscreen
  • Cash prize
  • Trophy
  • Copyright transactions
  • Certificate

Dates & Deadlines

  • 2024-11-24
    Submission start time

  • 2026-03-12
    Submission end time

  • 2026-04-20
    Finalist notification start time

  • 2026-04-20
    Finalist notification end time

  • 2026-05-14
    Award ceremony start time

  • 2026-05-22
    Award ceremony end time

Introduction to the film festival

La Semaine de la Critique

Created in 1962 by the French Union of Film Critics as a parallel section of the Cannes Film Festival, La Semaine de la Critique focuses on discovering new talents, revealing first and second feature films. Such directors as Jacques AudiardAlejandro González IñarrituKen LoachFrançois OzonWong Kar Wai or in more recent years César Augusto AcevedoJulia DucournauDavid R. MitchellSantiago MitreJeff Nichols or Rebecca Zlotowski were discovered by La Semaine de la Critique.

La Semaine de la Critique materialises each year its role as talent scouter in a selection of 10 short films and 10 feature films presented during the Cannes Film Festival. The film selection committees, composed of critics who are members of the French Union of Film Critics, hence reveal the very unique universes of emerging talents. The jury bestows four prizes each year: the Grand Prize and the French Touch Prize of the Jury for feature films, the Leitz Cine Discovery Prize for short films and the Louis Roederer Foundation Rising Star Award that highlights a male or female acting performance in one of the films in competition. Our partners also give awards: the Gan Foundation Award for Distribution, the SACD Award, the Canal+ Award for short film. The selected debut feature films also compete for the Caméra d’or.

Besides the venue in Cannes, La Semaine de la Critique’s scope of action includes accompanying the selected short film directors through Next Step. The directors attend a one week workshop in December, with the purpose of helping them step further towards feature film.

La Semaine de la Critique also conducts screen education actions year round, especially for the younger audiences, secondary school and high school pupils from the regions of Provence Alpes-Côte d’Azur and Île de France, but also from Germany.

The objectives of La Semaine de la Critique

  • To highlight first and second features directed by filmmakers from all around the world.
  • To enable French critics to fight for and explore young film creation the best they can. 
  • To support today’s revelations in order to have them become tomorrow’s talents. 
  • To pay great attention to short and medium length films, first steps in the career of a director.

Awards

La Semaine de la Critique’s Jury will award the best feature and the best short films amongst the competition. First feature films are also competing for the Caméra d’Or prize, awarded during the Official Award Ceremony of the Cannes Film Festival. Nespresso
 Grand Prize、Louis Roederer Foundation Rising Star Award、Leitz Cine Discovery Prize for short film、Gan Foundation Award for Distribution、SACD 
Award



、Canal+ Award for short films 







。

Rules

Genre :Action Comedy War Science fiction Ethics Terror Thriller Violence Adventure Crime Family Music Love Magic Fantasy Shootout Suspense Youth Inspirational Literary Biography Western Drama others Documentary
Subject :Unlimited
Video Format :MPEG4 DCP

To be eligible for La Semaine de la Critique, the film must comply with the following requirements: For feature films only: Must be the director’s first or second feature film. By "first feature film", we mean it must be a first cinematic film (fiction, documentary or animation) with a duration over 59' from a director who has never directed a full-length film before (over 59'), theatrically released or selected in an international Class A festival. By "second feature film", we mean it must be a cinematic film (fiction, documentary or animation) with a duration over 59' from a director who has previously only directed one full-length film (over 59'), theatrically released or selected in an international Class A festival. For all films, short and feature films: Must have been completed within the 12 months prior to the date of the Festival (between May 2024 and Cannes 2025). For foreign short and feature films: must not have participated in any festival outside its country of origin (whether it is in competition or out of competition). Must not have been shown on the Internet or broadcasted on TV, or commercially released outside its country of origin.La Semaine de la Critique reserves the right to make unilateral decisions about situations not mentioned herein and/or make exceptions to the rules.La Semaine de la Critique reserves the right to use all data from registration forms as provided for by the law nº78.17 of 6 January 1978 (in accordance with the data processing, files and freedoms act, any participant has the right to access and correct only data concerning him. This right is exercised by the French Union of Film Critics (SFCC).La Semaine de la Critique declines any responsibility for registration applications not received. The board of the French Union of Film Critics (SFCC) has the right to settle all cases not provided for, by the present regulations. It reserves the right to suspend, cancel, or postpone the event or to modify the regulations, at any time, according to the requirements of its exploitation. No compensation of any kind can be made to the participants.Participation in La Semaine de la Critique implies acceptance of the foregoing rules and regulations.Following Cannes Film Festival, the selected films will be screened in France (Cinémathèque Régionale de Corse - Corsica, Cinémathèque Française – Paris, Cinemas Les Variétés and La Baleine - Marseille) as well as Mexico (Morelia Film Festival) the last one for a partial rerun. For short films only, Czech Republic (Prague - Cinema Ponrepo) and Martinique (Festival Cinémartinique Atrium). The list of reruns is subject to change and will be confirmed in the invitation Right-holders of the film must provide prints for each rerun, until the end of all the reruns. The producer must inform their sales agent, their French distributor and the distributor of the rerun country of these obligatory reruns.

Jury Profile
Jury Name Judge photos Jury Profile
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